Artists: Monira Al Qadiri, Anca Bucur, Chlorys, Bogdana Dima, Adrian Ganea, Maria Guță, Nona Inescu, Katja Novitskova, Simina Oprescu, Jenna Sutela.
Launching with an exhibition at Mobius Gallery in Bucharest and continuing online at LIVING CONTENT, via performative artist talks, sound works, and documentation, the project’s main strategy is to focus on locality and to engage a web of local and international relations and narratives, outside of the familiar contemporary art epicenters.
Online at Living Content: Under Pressure.
September 15, 2021
Strada Dumbrava Roșie nr. 18, București 020464, Romania
With the largest surface of virgin forests, Romania is Europe’s last bastion of biodiversity, but it currently faces unprecedented ecological challenges. As a developing country ripped apart by corruption, its economic interests are often falsely depicted in a conflicting relationship with the protection of natural areas. The current and ongoing concerns include the uncontrolled exploitation of forests, extensions of surface mining, over-exploitation of non-renewable resources, fish-poaching in the Danube Delta, and the explosion of populations of invasive species that result from both climate change and human interventions. Human development and welfare are interconnected in complex and sometimes unpredictable ways with these ecosystems. While this is hardly news, when it comes to scientific data and statistics about the climate crisis, the majority of us barely know how to process this information, let alone transform it into action.
To quote Timothy Morton, “All art is ecological”. Using art as an interpretation of reality might prove to be a useful way, even a coping strategy, to grow ecological awareness and to better equip us to experience the uncanniness of the fact that we find ourselves at the edge of a sixth extinction, unknowingly and unwillingly set in motion by the Neolithic Revolution. Thus, Under Pressure is a project that does not pretend to offer solutions as ecological practicums; it rather conceives itself as a collection of poetic explorations that look into a potential reconciliation with what it means to be human in the age of climate crisis. Following and researching the evolution of technological development, some of the artists included in this project propose new frameworks for a better understanding of the times we live in, while others deconstruct ideological narratives, focusing instead on capturing the lyrical materiality of the world. Altogether, through storytelling, the artists included in the exhibition contribute to the project’s goal: that is to germinate a mind of curiosity locally and internationally and to practice reimagining the multitude of different ways of being in the world.
Altogether, through storytelling, the artists included in the exhibition contribute to the project’s goal: that is to germinate a mind of curiosity locally and internationally and to practice reimagining the multitude of different ways of being in the world.