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Nov 27
February 12, 2022
Exhibition

The Infinite Vision in the Ethereal Rainbows Swarming Behind my Eyelids Reveals a Beacon

Multiple locations

Bas Fisher Invitational
Miami
Miami
more info
Installation View
Rian Ciela Hammond, Rootpicker, 2021, Single channel digital video
Installation view
Various Artists for the Institute of Queer Ecology, The Symbiotic Shore: Excerpts from IQECO Fire Island Image Archive (2019), 44 towels
Various Artists for the Institute of Queer Ecology, The Symbiotic Shore: Excerpts from IQECO Fire Island Image Archive (2019), 44 towels
Various Artists for the Institute of Queer Ecology, The Symbiotic Shore: Excerpts from IQECO Fire Island Image Archive (2019), 44 towels
Sasha Wortzel, For those of us who live at the shoreline (sunset), 2020; For those of us who live at the shoreline (sunrise) 2020; Video
Summer Jade Leavitt, The Seventh Sun Comes, 2021, Green carnation, Yahrzeit candle, 33 year medallion, torched cent, snail shell, last dew drops
Libbi Ponce, Byron, 2020, mixed media
Germán Enrique Caceres Cueto, Vine Spirit (Three Hearts), 2021, Acrylic on canvas with artist frame
Germán Enrique Caceres Cueto, Unforgivable, Unforgettable 2021, Acrylic on canvas with artist frame
Libbi Ponce, Theresa, 2020, mixed media
Utē Josephine Petit, Cash Magic, 2021, 4 Framed Drawings, Mixed Media
Utē Josephine Petit, Cash Magic, 2021, 4 Framed Drawings, Mixed Media
Utē Josephine Petit, Revenge Fantasy in the Mouth of my Motherland, 2020, Pencil on Paper.
Felix Beaudry and Lee Pivnik for the Institute of Queer Ecology, Institute of Queer Ecology Jumpsuits, 2017
Installation View
Installation view
Various Artists for the Institute of Queer Ecology, The Symbiotic Shore: Excerpts from IQECO Fire Island Image Archive (2019), 44 towels
Installation View
Laurencia Strauss, On Compost: Land Art (ongoing), Newspaper, worms, produce, bins, photographs. 9 compost fields
Laurencia Strauss, On Compost: Land Art (ongoing), Newspaper, worms, produce, bins, photographs. 9 compost fields
Laurencia Strauss, On Compost: Land Art (ongoing), Newspaper, worms, produce, bins, photographs. 9 compost fields
Installation view
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Artists: Summer Jade Leavitt, Germán Enrique Caceres Cueto, Libbi Ponce, Archival Feedback, Laurencia Strauss, Rian Hammond, TJ Shin, Utē Josephine Petit, Sasha Wortzel, Molly Adams, Trevor Bashaw, Evander Batson, Parker Bright, Andres Chang, Allyson Church, Nicolas Baird, Lee Pivnik, Francisco Cordero, Tiger Dingsun, Luba Drozd, Charlie Ehrenfried, Casey Halter, Tristan Higgenbotham, Wilson Keithline, Deirdre Keough, David Kim, Aidan Alexis Koch, Shannon Lee, Jolie Ngo, Faris Al-Shathir, Jake Sillen, Yannik Stevens

Curated by: Lee Pivnik and Nicolas Baird for the Institute of Queer Ecology

Coastal cities around the globe are currently engaged in conversations about how to fortify themselves against the climate-perils of tomorrow. Local governments often frame these conversations in terms of the preservation of real estate assets and local economies above water so that “business as usual” can continue. These plans, which are made from the top down, without addressing the root causes of climate-change and habitat degradation, leave behind countless people and species. The notion that competition breeds evolution has spread from social Darwinism and taken root in a socioeconomic worldview that has naturalized the global exploitation and unsustainable extraction of labor and resources. In Miami and beyond, it’s critical not only to build resilience against climate change, but to cultivate a regenerative ethos.

For their upcoming Waterproof Miami project with Bas Fisher Invitational and Bridge Initiative, the Institute of Queer Ecology (IQECO) will present an exhibition that proposes evolving Miami into a “Symbiotic City:” a civic strategy for environmental harm reduction and climate adaptation. The ongoing project of saving this world requires constantly remaking it, re-grounding the work in mutualistic symbioses rather than individualistic competition.

Here, standing on The Symbiotic Shore, IQECO advocates for a new empathic paradigm: to understand other species (and ourselves) through alternative survival strategies of symbiosis, mutualism, and interdependence. Right now, around and inside us, our bodies bloom with 40 trillion+ bacterial cells—we are more bacterial than human. We have evolved to live in symbiosis with our microbiomes over millions of years—we are walking multispecies amalgamations, interdependent on each other and our environments for mutual support. In Miami, we walk through a city built of coral, an animal that survives only in a mutualistic relationship with photosynthetic algae. Yet, we plan, build, and act in resistance to this vibrant and complex living world around us. We sterilize everything we touch.

To begin imagining this ecozoic shift—away from competition, towards mutualism—this exhibition brings together artists living in Miami and other coastal cities: the liminal, romantic, real edges of the sea and shore, increasingly defined by their environmental precarity. Memories, dreams, and experiences materialize into visions of a future where coastal cities don’t fortify themselves against a rapidly changing world, but change themselves to meet the moment’s needs. The show—the shore—is sincere and tactile. From an altar constructed of hurricane debris collected along the Gulf Coast, an audio composition that gives voice to the worsening water conditions in Biscayne Bay, and a photo archive transmuted onto beach towels documenting a formative IQECO residency in the queer towns of the Fire Island National Seashore, the exhibition traces a line from New Orleans, down Florida, and up the Eastern Seaboard, bringing together artists concerned with the future changes faced by the places they live and love.

Alternative, queer readings of evolutionary biology and ecology can inform and re-form how we see ourselves as a species, particularly regarding the mutual benefits that cooperation brings to the interconnected social infrastructures of all species. The Institute of Queer Ecology plots a new trajectory forward, one where we transform our one-sided, parasitic relationships with the environment into networks of symbiosis and mutualism, regeneration and care—as a city, a society, and a species.


Photography: Monica McGivern and Lee Pivnik. Courtesy of the Institute of Queer Ecology, Bas Fisher Invitational and Bridge Initiative.

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