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Dec 14
Exhibition

Endless Nostalghia

Multiple locations

Italy
more info
Endless Nostalghia, Abbey of Saint Galgano, Chiusdino, SI, IT, 2020
Lucia Leuci, Sculpture (Piero), 2017-2020, resin, fabric, synthetic hair, stuffing, yarn, nacre; Elbow pads, 2020, resin, synthetic hair, nylon, plastic, variable dimensions; Mantella, 2020, fabric, acrylic paint, watercolors, variable dimensions
Namsal Siedlecki, Trevis Maponos, 2020, argento, dimensioni variabili. Veduta dell'installazione in Endless Nostalghia, Piazza delle Sorgenti, Bagno Vignoni, SI, IT, 2020
Namsal Siedlecki, Trevis Maponos, 2020, silver, variable dimensions. Installation view in Endless Nostalghia, Piazza delle Sorgenti, Bagno Vignoni, SI, IT, 2020
Namsal Siedlecki, Trevis Maponos, 2020, silver, variable dimensions. Installation view in Endless Nostalghia, Piazza delle Sorgenti, Bagno Vignoni, SI, IT, 2020
Giorgio Andreotta Calò, Medusa, 2016, serie AC, ed.1AP (3+2AP), bronze, lost wax casting. Installation view in Endless Nostalghia, Sunken Church of Santa Maria in Vittorino, RI, IT, 2020
Giorgio Andreotta Calò, Medusa, 2016, serie AC, ed.1AP (3+2AP), bronze, lost wax casting. Installation view in Endless Nostalghia, Sunken Church of Santa Maria in Vittorino, RI, IT, 2020
Giorgio Andreotta Calò, Medusa, 2016, serie AC, ed.1AP (3+2AP), bronze, lost wax casting. Installation view in Endless Nostalghia, Sunken Church of Santa Maria in Vittorino, RI, IT, 2020
Monia Ben Hamouda, Blair, 2020, fabric, wood, curry powder, curcuma powder, acrylic paint, plaster, variable dimensions. Installation view in Endless Nostalghia, Piazza del Campidoglio, Rome, IT, 2020
Monia Ben Hamouda, Blair, 2020, fabric, wood, curry powder, curcuma powder, acrylic paint, plaster, variable dimensions. Installation view in Endless Nostalghia, Piazza del Campidoglio, Rome, IT, 2020
Monia Ben Hamouda, Blair, 2020, fabric, wood, curry powder, curcuma powder, acrylic paint, plaster, variable dimensions. Installation view in Endless Nostalghia, Piazza del Campidoglio, Rome, IT, 2020
Michele Gabriele, Sitting on the ground, so I will remember it as a nice atmosphere, 2020, silicone, bandages, fabrics, acrylic color, bronze, epoxy resin, variable dimensions. Installation view in Endless Nostalghia, Piazza del Campidoglio, Rome, IT, 2020
Michele Gabriele, Sitting on the ground, so I will remember it as a nice atmosphere, 2020, silicone, bandages, fabrics, acrylic color, bronze, epoxy resin, variable dimensions. Installation view in Endless Nostalghia, Piazza del Campidoglio, Rome, IT, 2020
Michele Gabriele, Sitting on the ground, so I will remember it as a nice atmosphere, 2020, silicone, bandages, fabrics, acrylic color, bronze, epoxy resin, variable dimensions. Installation view in Endless Nostalghia, Piazza del Campidoglio, Rome, IT, 2020
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Endless Nostalghia curated by Treti Galaxie

Artists: Giorgio Andreotta Calò, Monia Ben Hamouda, Michele Gabriele, Lucia Leuci, Namsal Siedlecki

(...) The project creates a relation between a series of works by Italian artists and the locations where Andrej Tarkovskij (1932-1986) filmed Nostalghia (1983), the sixth and second to last movie by the Russian director, which was also the first realized out of the Soviet Union. The strongly autobiographical picture is filled with a constant feeling of pain and longing for the director’s home country, sentiments that are underlined by the framing of the Italian landscapes, that constantly recall Tarkovskij’s beloved Russian countryside.

Endless Nostalghia wishes to pull together the personal sentiment of nostalgia expressed in the movie by Tarkovskij and the one universally felt during the COVID-19 emergency lockdown, when it was forbidden to leave the house, cross borders and visit the places we love.

Giorgio Andreotta Calò’s works, Medusa (2016) and Pinna Nobilis (2016-17), were installed within the ruins of the Sunken Church of Santa Maria in Vittorino, close to Cittaducale (RI); the cycle of silver sculptures Trevis Maponos (2020) by Namsal Siedlecki was placed in the thermal baths of Piazza delle Sorgenti, in Bagno Vignoni. Lucia Leuci’s work Sculpture (Piero), realized for the occasion, was installed in the Museo della Madonna del Parto in Monterchi, in order to create a dialogue with the fresco by Piero della Francesca preserved there. Monia Ben Hamouda’s work Blair (2020) and Michele Gabriele’s Sitting on the ground, so I will remember it as a nice atmosphere (2020) were also conceived for this exhibition, and installed respectively in Piazza del Campidoglio and between Piazza del Campidoglio and Via dei Condotti, in Rome.

For a brief period of time each place hosted an “impossible” solo show, that only exists through its photographic documentation, highlighting the idealized and detached nature of every communication carried out through digital devices.

Read the full press release here.

All images courtesy of the artists, 101 Numeri Pari and Treti Galaxie. Photography: Flavio Pescatori

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